Filosofia e arte em Theodor W. Adorno: a categoria de constelação
This thesis states that the category of constellation is the key of what Adorno calls thought models and, as such, guarantees the loyalty to his utopia of knowledge. In doing so, it challenges in fruitful way two interpretation problems: the one that questions its actuality and the other that looks...
| Autor: | |
|---|---|
| Formato: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2006 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/ARBZ-7JJKC5 |
| Acesso em linha: | http://hdl.handle.net/1843/ARBZ-7JJKC5 |
| Access Level: | acceso abierto |
| Palavra-chave: | composição dialética Theodor W Adorno constelação Teoria crítica Filosofia Adorno, Theodor W, 1903-1969 Arte |
| Resumo: | This thesis states that the category of constellation is the key of what Adorno calls thought models and, as such, guarantees the loyalty to his utopia of knowledge. In doing so, it challenges in fruitful way two interpretation problems: the one that questions its actuality and the other that looks for the connection between art and philosophy. It concludes that the constellation, as methodical procedure and compositional principle, illuminates the connection between both and elucidates themeaning of Adornos actuality, by way of attesting the significance of the notions of time diagnosis, determinate negation, dialectical moment and composition. |
|---|