Nadir Afonso, the artist and his circumstance
We may dissociate man from his work (and it is only fair that we do), but almost inevitably our analysis is carried out by a contaminated observation between the characteristics of the creator (personality, temperament, beliefs, life circumstances, and of luck - and, in a more comprehensive way, the...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Recursos: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Revista Visuais |
| Idioma: | portugués |
| OAI Identifier: | oai:inpec.econtents.bc.unicamp.br:article/12129 |
| Acesso em linha: | https://econtents.bc.unicamp.br/inpec/index.php/visuais/article/view/12129 |
| Access Level: | acceso abierto |
| Palavra-chave: | Personalidade Temperamento Cultura Criação da obra. Personalidad Creación de la obra. Personality Temperament Culture Creation of the work. |
| Resumo: | We may dissociate man from his work (and it is only fair that we do), but almost inevitably our analysis is carried out by a contaminated observation between the characteristics of the creator (personality, temperament, beliefs, life circumstances, and of luck - and, in a more comprehensive way, the culture and the environment where it is inserted,) and the work actually created. |
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