O LUGAR DAS IDEIAS LIBERAIS NAS MEMÓRIAS PÓSTUMAS DE BRÁS CUBAS
In his well-known book, A Master on the Periphery of Capitalism, Roberto Schwarz shows that the predominant formal principle, the volubility of the first-person narrator, in Machado de Assis's The Posthumous Memoirs of Brás Cubas was created to critically and ironically expose how Brazil was ac...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/212149 |
| Acceso en línea: | http://dx.doi.org/10.1590/1983-6821202013306 http://hdl.handle.net/11449/212149 |
| Access Level: | acceso abierto |
| Palabra clave: | Machado de Assis The Posthumous Memoirs of Brás Cubas liberalism Memórias póstumas de Brás Cubas liberalismo |
| Sumario: | In his well-known book, A Master on the Periphery of Capitalism, Roberto Schwarz shows that the predominant formal principle, the volubility of the first-person narrator, in Machado de Assis's The Posthumous Memoirs of Brás Cubas was created to critically and ironically expose how Brazil was acclimating to liberalism. In addition to questioning the sociological implication of this argument, this paper aims to discuss the representation of liberal ideas in Machado's novel from the perspective that underlines the triumph of liberalism in the literary imagination. |
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