Analysis of the glottal and supraglottal configuration and acoustic data in countertenor singing

Singers perform different vocal adaptations to sing both lyrical and popular music. The mechanism M1 (modal register) is predominant, but a small portion uses the mechanism M2 (falsetto register). In the lyrical singing, it is the countertenor who makes this peculiar vocal emission. The present stud...

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Detalles Bibliográficos
Autores: Cruz, Tiago Lima Bicalho, Loureiro, Mauricio Alves
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2021
País:Brasil
Institución:Universidade Federal de Minas Gerais (UFMG)
Repositorio:Per Musi
Idioma:portugués
OAI Identifier:oai:periodicos.ufmg.br:article/25951
Acceso en línea:https://periodicos.ufmg.br/index.php/permusi/article/view/25951
Access Level:acceso abierto
Palabra clave:Countertenors
Voice
Singing
Laryngeal adjustments
Singer's form
Contratenores
Voz
Canto
Falsete
Formante do Cantor
Contratenor
Formante del Cantante
Descripción
Sumario:Singers perform different vocal adaptations to sing both lyrical and popular music. The mechanism M1 (modal register) is predominant, but a small portion uses the mechanism M2 (falsetto register). In the lyrical singing, it is the countertenor who makes this peculiar vocal emission. The present study analyzed through nasofiberscopic, glottic, and supraglottic adjustments performed by countertenors, as well as the presence and level of the singer’s formant. The tasks (two interval leaps - a minor sixth and a perfect fourth – and a crescendo in sustained note) were taken from an aria by Georg Friedrich Haendel. During the crescendo, a lowering of the larynx and pharyngeal widening were observed; pharyngeal constrictions and laryngeal elevation were observed in both leaps executions; no glottal chink or air leak were detected. Singer’s formant was identified on all subjects. Professional countertenors performed better than non-professional because they had a higher level of singer's formant and, supralaryngeal adjustments that favor vocal emission with less constrictions and a higher degree of larynx lowering, therefore compatible with better vocal emission.