Rodrigo García, politics and the rhapsodic drive in The story of Ronald, the McDonald's clown
Based on fragments of the crisis that has marked theatrical language over the last two centuries, this article aims to understand how approaches between theater and politics are reconfigured through the rhapsodic drive in the play The Story of Ronald, the McDonald's Clown, by the playwright Spa...
| Autores: | , , |
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2024 |
| País: | Brasil |
| Recursos: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositório: | Urdimento (Online) |
| Idioma: | português |
| OAI Identifier: | oai::article/25522 |
| Acesso em linha: | https://www.revistas.udesc.br/index.php/urdimento/article/view/25522 |
| Access Level: | Acceso aberto |
| Palavra-chave: | teoria teatral dramaturgia pulsão rapsódica capitalismo MacDonald's theater theory dramaturgy rhapsodic drive capistalism McDonald's teoría del teatro pulsión rapsódica |
| Resumo: | Based on fragments of the crisis that has marked theatrical language over the last two centuries, this article aims to understand how approaches between theater and politics are reconfigured through the rhapsodic drive in the play The Story of Ronald, the McDonald's Clown, by the playwright Spanish-Argentine Rodrigo García. It was possible to see that the work uses the juxtaposition and overflow of dramatic, lyrical and epic modes to compose a look that puts into tension the influence of large companies such as the American fast food chain on contemporary consumption. A dramaturgical language that reinvents paradigms and dialogues with the poetics of post-modernity. |
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